Our own Lloyd Meeker is about to launch his Canadian edition of his novel Traveling Light
“…this is a beautifully written novel, an almost perfect marriage of style and story…This is a book to be savored on many different levels… a wonderfully compelling read.”
Victor J. Banis, author and pioneer of contemporary gay fiction
“I couldn’t put this one down, partly because of the writing, and partly because the world Meeker creates is so entrancing.”
Neil S. Plakcy, award-winning author of the Mahu mystery series and other novels
Little Sisters is proud to host the Canadian launch of Lloyd Meeker’s new novel, a Vancouver hero’s shamanic journey that intersects with a 13th century Anasazi shaman as he struggles to bring his brother’s murderer to justice. The author will discuss elements of this gay hero’s journey and will read from the book prior to signing copies. Light refreshments will be offered.
Date: June 9, 2011
Time: 7 PM
Location: Little Sister’s Book and Art Emporium
1238 Davie Street
The first time I switched to bass, it was both exciting and uncertain. Exciting because I get to sing differently, and uncertain because I had no idea what I was doing. Being a real trouper, I lingered on, hoping that I didn’t make a bad decision.
One of the songs we did, Vladimir Radian’s version of The Maple Leaf Forever, was for the Vancouver Unison in 2006. The bass part was really low, so I decided to come back up to baritone (or tenor 2). When we sang it at the Chan Centre at UBC, the gorgeous acoustics of the performance hall magnified the opening bass notes into a lovely low rumble that made my spine tingle. I’ve never heard anything so beautiful.
Over the years I’ve gotten so used to singing the low parts that I can project the bass notes. It felt like I’ve grown a lot of hair on my chest though, or as if my Adam’s apple grew bigger. Maybe my brain kept pumping more testosterone in those years I sang bass. Whatever it was, I can say it was the manliest I had ever been.
Nelz A., member since 2006
Each year, the choir looks for one person from each section to organize the occasional rehearsal and generally track of things within their section. As volunteer tasks go, it’s comparatively low-key, and as an added bonus it’s a good way to get to know the people you’re singing most closely with!
In our 2010 season Swati and Laura will be continuing as soprano and alto section leaders, and Bob will be taking over the basses. Now all we need is somebody willing to wrangle those tenors…
In other news, pictures from our appearance at the Walk for Life are on their way. Did you sing? How did it go? This is often a new choir member’s first ever concert, and we’d love to hear your stories, whether they are from this year or a past season!!
I consider myself a baritone with a wide crazy range. I’m not a true bass, but I can sing quite low without getting a scratchy throat. I’m not exactly a tenor either, but I can sing high tenor notes if I breathe properly (or wear tight pants).
When I joined the choir in 2006, I sang with the tenors, believing that I have the range to hit the high notes. The problem was I had pitch issues.
The following season, I went down to baritone/bass. I found it easier, and had less problems with pitch. This earned the ire of my fellow tenors. They jokingly called me a turncoat and traitor, then said I was bisectional. I found that hilarious.
I sang baritone/bass for the next three or four years, but recently I’ve discovered the joys of singing in my head voice. I was enamoured by Chris Colfer’s version of “Defying Gravity,” and actually attempted to hit that ridiculous high F.
This season I’m rejoining the tenors. It was challenging getting back to singing the upper registers, but I had to try and learn. Who knows, if I train my voice well enough, I may be able to join the sopranos next season!
by Nelz A, member since 2006